Are video games art? It’s a question that has dogged players, developers, and critics for decades, and even now, it’s one without an easy answer.
This cultural dustup was at its most brutal in 2010, after film critic Roger Ebert declared that “video games can never be art” in an opinion piece on his website. It was a familiar drumbeat from Ebert, but this round of vitriol was in reaction to a TED Talk delivered by Kellee Santiago, a developer who was working on the then-upcoming Journey at thatgamecompany. While praising Santiago as “bright, confident, [and] persuasive,” everyone’s favorite film critic ultimately objected to every one of her arguments, sparking a huge backlash of counter-opinions in the gaming press.
After several months of sniping, the two warring factions reached a truce (or at the very least, a ceasefire) in July when Ebert invited everyone to “play on [his] lawn” and admitted that games could be art. It was a nice gesture, but it didn’t entirely put the question to bed, and it’s something we’re still talking about today. Want proof? Look no further than the recent HBO adaptation of The Last of Us and the argument that it contains “the greatest story that has ever been told in video games.” Many people agree… and many people absolutely do not.
But Ebert’s reaction was just a preview to the main event. So let’s jump to November 2012, when the Museum of Modern Art acquired a collection of 14 games to form the core of their Applied Design exhibit (which would open in 2013), and seemed to settle the question once and for all.
It shouldn’t be surprising, but you’ll see a lot of the same titles if you peruse the 
As the official magazine of the British Film Institute, the editors at Sight & Sound regularly poll hundreds of critics and directors to aggregate a list of the Greatest Films of All Time. This once-a-decade undertaking was last compiled in 2022 and uses a simple premise: each voter is able to select ten films and the final list is ranked based on which films were mentioned most often.
