Nintendo PlayStation Sells at Auction for $360,000

The Sony PlayStation launched with a $300 price tag in 1995, famously undercutting Sega’s planned $400 price point for the Saturn. So it’s only fitting that in 2020, the fabled Nintendo PlayStation prototype sold at auction this afternoon with a winning bid of $300,000.

The new owner of this rare artifact is currently a mystery, but the winning bid may have been placed by Oculus founder Palmer Luckey, who wrote about his interest in the auction on Twitter back in February.

The Nintendo PlayStation was previously owned by Dan Diebold, who took it “around the world and back again” after his father discovered it among some “junk” that had once belonged to former Sony Computer Entertainment CEO Olaf Olafsson:

At one time, this particular unit was owned by the founder, first president, and first chief executive officer of Sony Computer Entertainment, Inc. Olaf Olafsson. Olaf eventually left Sony to join Advanta Corporation, and became its president in 1998. A little over a year later, Olaf left Advanta to join Time Warner — but he left his Nintendo PlayStation prototype behind at Advanta. Roughly around this time, Advanta filed for bankruptcy and began gathering up everything in their corporate office to sell at auction. As the story goes, the Nintendo Play Station prototype was grouped together with some miscellaneous items that were boxed up with a group lot, the contents of which were veiled. A nice Easter egg for the winning bidder, indeed!

By far, this is arguably one of the most notorious, mysterious, and controversial artifacts of the video game industry. This prototype has been around the world and back again, admired and appreciated by video game enthusiasts from all over. Even though this is the closing of this portion of its narrative, it will continue to remain a pivotal piece of video game history no matter where it ends up.

According to the auctioneers at Heritage Auctions, the purchaser of the Nintendo PlayStation will also have to pay a $60,000 “Buyer’s Premium” on top of the winning bid, bringing the total to $360,000.


UPDATE (3/7/20): Forbes is reporting that Greg McLemore, the founder of Pets.com, is the mystery man behind the winning bid in yesterday’s Nintendo PlayStation auction. McLemore is an avid collector of arcade machines, game consoles, and original artwork, and he told the publication he plans to open a permanent museum to house his collection.

National Videogame Museum Launches Preservation-Focused Videogame Heritage Society in UK

The National Videogame Museum, located in Sheffield in the United Kingdom, has launched the Videogame Heritage Society, a new video game preservation initiative that will bring together a network of libraries, museums, and collectors.

The Videogame Heritage Society is a collaborative project that aims to share knowledge with all members about the best way to preserve and exhibit video games:

The National Videogame Museum is launching a new initiative today at BFI Southbank, leading a network of museums and independent collectors who are engaged in videogame preservation. The Videogame Heritage Society (VHS) includes the Science and Media Museum, Bath Spa University, British Library and Museum of London as well as many independent collectors. It will develop best practice and share knowledge across the museum sector and beyond about preserving and exhibiting videogames.

“This group is for anyone who cares about or works in videogame preservation,” said British Games Institute Chairman Ian Livingstone. “We recognise that in the UK and around the world, the expertise in this field isn’t just locked inside museums and heritage institutions, but also inside a wide range of dedicated and passionate private collectors. The VHS will bring everyone together to preserve the important heritage of videogames in our country.”

More information about the Videogame Heritage Society can be found at The BGI‘s official website.

The Only Known Nintendo PlayStation Prototype is Being Sold at Auction

The failed collaboration between Nintendo and Sony to produce a CD-ROM add-on for the Super NES has become the stuff of legend. The details of the falling out have been documented pretty extensively over the years, and war stories from all the major players have appeared in both David Sheff’s Game Over and Blake Harris’s Console Wars.

While we all know the story, what became of the small batch of prototype consoles produced by the two companies has always been a mystery. More than 200 Nintendo PlayStations were reportedly produced, and it’s assumed that most were destroyed, but one managed to escape the trash heap by hiding out in “a box of junk” previously owned by former Sony Computer Entertainment CEO Olaf Olafsson.

After his stint at Sony, Olafsson would take a job with Advanta Corporation, and this “box of junk” went with him, but when the financial company went bankrupt in 2009, the Nintendo PlayStation was left behind. It was found by Terry Diebold, who worked in Advanta’s maintenance department, and eventually made its way into the hands of his son, Dan.

Now, after game historians have examined and repaired the one-of-a-kind artifact, it’s going up for auction. The Diebolds are selling the prototype through Heritage Auctions, and as of this writing, the current bid is sitting at $145,000. And it’s unlikely to stop there, as proxy bids will continue to be taken until the start of the live auction on March 6.

So what will you get for your money? According to Heritage, the console features a fully-functioning Super Famicom cartridge slot:

We at Heritage can attest the prototype is working, as we’ve played a couple of rounds of Mortal Kombat on it using a Super Famicom cartridge.

The CD drive is also functional, but as no software was produced for the Nintendo PlayStation, all it can do is play music CDs:

Though the CD-ROM drive was not currently working when it was found in 2009, it has since been repaired by Benjamin Heckendorn, a YouTube personality known for his console repair videos. It now has the ability to play music CDs like the commercially produced PlayStation, but there is no proprietary software that’s known to have been made during the prototype’s development.

Heritage refers to the Nintendo PlayStation as “one of the most notorious, mysterious, and controversial artifacts of the video game industry” and it’s hard to argue with that.

Kosmic Shaves Less Than Half a Second Off His Super Mario Bros. “Any%” World Record (and Then Retires)

KosmicD12 has completed his last “Any Percentage” speedrun of Super Mario Bros..

The Mario maestro has set multiple world records over the years (including a blistering time of 4:55.96 in 2018), but his most recent feat of crackerjack platforming might just be unbeatable. Using a combination of Warp Zones, glitches, and his own tip-top thumbs, KosmicD12 shaved a little less than half a second off his previous record, and finished the game in an astonishing four minutes and 55.646 seconds.

He then promptly delivered a short retirement speech and walked away from any future “Any Percentage” attempts:

“This is everything I have ever wanted to accomplish in this speedrun, and even a little bit more. It is still improvable but I am not interested in the ridiculous things required to beat this, so that’s history for someone else to write!”

KosmicD12 still plans to keep playing Super Mario Bros., but he’s looking for a new challenge today. He said he’d like to tackle some of the game’s other speedrunning categories, which he’ll continue to chronicle on his Twitch channel.

More Than 2,500 Playable MS-DOS Games Added to the Internet Archive

The Internet Archive has made it their mission to safeguard as much of the Internet as they can, but the group is also heavily involved in preserving classic video games and making them playable for a new generation of players through in-browser emulation.

Earlier this week, they massively expanded the number of retro video games available in their collection thanks to the addition of more than 2,500 MS-DOS games from the 1980s and 1990s.

It wasn’t easy getting all of those titles to work in a browser, and Curator Jason Scott had a bit to say about the process on the Internet Archive Blog:

The update of these MS-DOS games comes from a project called eXoDOS, which has expanded over the years in the realm of collecting DOS games for easy playability on modern systems to tracking down and capturing, as best as can be done, the full context of DOS games – from the earliest simple games in the first couple years of the IBM PC to recently created independent productions that still work in the MS-DOS environment.

What makes the collection more than just a pile of old, now-playable games, is how it has to take head-on the problems of software preservation and history. Having an old executable and a scanned copy of the manual represents only the first few steps. DOS has remained consistent in some ways over the last (nearly) 40 years, but a lot has changed under the hood and programs were sometimes only written to work on very specific hardware and a very specific setup. They were released, sold some amount of copies, and then disappeared off the shelves, if not everyone’s memories.

It is all these extra steps, under the hood, of acquisition and configuration, that represents the hardest work by the eXoDOS project, and I recognize that long-time and Herculean effort. As a result, the eXoDOS project has over 7,000 titles they’ve made work dependably and consistently.

Even with 2,500 new additions, you’re not going to find every MS-DOS game ever released in the Internet Archive’s collection. But you will find a wide variety of games from the Video Game Canon, including id Software’s The Ultimate Doom (#23), LucasArts’s The Secret of Monkey Island (#86), Psygnosis’s Wipeout (#192), EA’s original The Need For Speed (#587), and many more.

“Game Masters: The Exhibition” Opens at National Film and Sound Archive of Australia

Earlier today, the National Film and Sound Archive of Australia in Canberra officially opened the doors to Game Masters: The Exhibition, a new exhibit that chronicles “an interactive journey through five decades of video game history.” Museumgoers who visit the Game Masters exhibit will be able to view “interviews, never-before-seen concept artwork, [and] an amazing display of vintage consoles and collectable items,” as well as an arcade installation with dozens of games.

Game Masters is an interactive journey through five decades of video game history, offering both a behind-the-scenes look at the creative process behind the world’s most popular characters and franchises, and a chance to play them. Featuring interviews, never-before-seen concept artwork, an amazing display of vintage consoles and collectable items, and 80 playable games, visitors won’t want to leave!

[…]

Game Masters is divided into three sections: Arcade Heroes, Game Changers and Indies. It features unique experiences such as a spectacular multiplayer dance stage for Dance Central 3 (2012), hands-on experiential music booths and a selection of original classic arcade machines from the 1970s and ‘80s acquired especially for the exhibition, all playable in their original form.

The National Film and Sound Archive of Australia will also use this opportunity to begin archiving important games developed within Australia. The first eight games selected by the program include a nice variety of titles released over the last 37 years:

Initial List of Games Selected for Preservation by the National Film and Sound Archive of Australia

  • The Hobbit (Beam Software, 1982)
  • Halloween Harry (Interactive Binary Illusions / Sub Zero Software, 1985/1993)
  • Shadowrun (Beam Software, 1993)
  • L.A. Noire (Team Bondi, 2011)
  • Submerged (Uppercut Games, 2015)
  • Hollow Knight (Team Cherry, 2017)
  • Florence (Mountains, 2018)
  • Espire 1: VR Operative (Digital Lode, 2019)

More games will be added to the archive on an ongoing basis, and Game Masters: The Exhibition will remain open to the public through March 9, 2020.

20th Century Fox Created a Feature-Length Movie Using Cutscenes and New Animations from Alien: Isolation

Eschewing the whiz bang pyrotechnics that the Colonial Marines usually bring to game adaptations of the Alien franchise, 2014’s Alien: Isolation took its cues from the quieter (but no less terrifying) original film.

The game was a big hit with critics and fans, though it struggled on the sales charts and a planned sequel never got off the ground. But Sega and The Creative Assembly recently teamed up with 20th Century Fox to give the game, which took place between Alien and Aliens, a second lease on life… as a movie.

[Continue Reading…]

The Queer History of Video Games is Now on Display at Schwules Museum’s “Rainbow Arcade”

The Schwules Museum in Berlin has opened the Rainbow Arcade, an exhibit which will explore the “queer history of video games”:

For the first time in the world, the queer history of video games will be explored in a major exhibition: RAINBOW ARCADE at Schwules Museum features a wide variety of exhibits spanning over 30 years of media history, including 12 playable titles, concept drawings, modifications written by fans themselves and documentations of online communities. RAINBOW ARCADE will be taking stock of contemporary pop cultural questions of representation, stereotypical and discriminatory narratives in entertainment media, and our cultural memory. For the first time, research by the LGBTQ Game Archive will be presented in a museum.

Visitors to the museum will be able to play several examples of gaming’s queer history, including GameGrumps’s Dream Daddy, Midboss’s 2064: Read Only Memories, Anna Anthropy’s Lesbian Spider-Queens of Mars, and more.

The Rainbow Arcade exhibit is curated by Sarah Rudolph (herzteile.org), Jan Schnorrenberg (Schwules Museum), and Dr. Adrienne Shaw (Temple University, LGBTQ Video Game Archive), and it’ll be open to the public through May 13, 2019.

A Brief History of Video Games – Half-Life

It’s just another day at work for Gordon Freeman. The well-groomed scientist is running late for an important meeting and he’s forced to board the tram alone as he travels to the secure wing of the Black Mesa Research Facility.

The latest VGC Essay looks at how Half-Life’s opening tram ride changed first person shooters (and may even have created an entirely new genre). Here’s a teaser…

“Good morning and welcome to the Black Mesa Transit System. This automated train is provided for the security and convenience of the Black Mesa Research Facility personnel.”

It’s just another day at work for Gordon Freeman. The well-groomed scientist is running late for an important meeting and he’s forced to board the tram alone as he travels to the secure wing of the Black Mesa Research Facility.

It’s a rather lowkey introduction to one of the most ambitious games ever created, but easing the player into the game’s world was a big part of what made Valve’s Half-Life so ambitious. You’re free to move about the train car as you’re ferried from the facility’s living quarters to the research levels belowground, but for those five minutes, you’re also at the mercy of the developers and how they want you to interact with their game.

Continue Reading the Full Essay →

Library of Congress Has Ruled Libraries and Museums Can Break DRM to Preserve Older Games

The US Copyright Office and the Library of Congress have ruled that museums and libraries may now disable digital rights management (DRM) software when attempting to preserve video games available for defunct platforms.

The US Copyright Office and the Library of Congress have ruled that museums and libraries may now disable digital rights management (DRM) software when attempting to preserve video games available for defunct platforms.

The rule is officially known as the “Exemption to Prohibition on Circumvention of Copyright Protection Systems for Access Control Technologies,” and a very quick summary is available at Polygon:

This week the Library of Congress and the U.S. Copyright Office revised its list of specific exceptions to the Digital Millennium Copyright Act, also known as the DMCA. Their guidance reaffirms the rights of software preservationists to circumvent digital rights management (DRM) software, in some cases expanding their ability to revive older games. It also opens the door, legally speaking, to do-it-yourselfers and electronics repair outlets to break DRM in pursuit of fixing hardware.

A more thorough analysis of the ruling, specifically detailing how it’ll effect preservationists looking to bring back early versions of MMOs like EverQuest and World of Warcraft, is available at Motherboard:

Today’s news should be good for archivists and museums, who’ve long struggled with the best way to preserve video games such as Everquest or World of Warcraft. Multiplayer games like these require both software that players run on their computers locally, and software running on a company’s server—software that is much harder for historians to get their hands on and run. And when they do manage to get an independent server running, big game companies like Blizzard have taken legal action against people running unauthorized servers.

This is a great day for anyone interested in the history of games, and for all the historians and librarians working to preserve the classics for the next generation.